In Untitled (2008), rhythmic strokes of colour create a structure that breathes within loose order. Layers of paint—flowing, dripping, pausing—record the visible traces of the painting process itself. Förg’s approach resists fixed imagery; instead, it presents painting as gesture, rhythm, and duration. The seemingly spontaneous colour blocks are both an echo of modernist geometry and a subtle rebellion against it, embodying a delicate balance between discipline and freedom, control and release.